Teo Hernández Filmes

Outtakes from the movie

One of my last films to be made indoors was La vie brève de la flamme. I used light in a very expressionist manner — still with the...

A personal interpretation of Oscar Wilde Salome from three basic elements: the light, the color, and the projection speed.

Exploration of bodies. Point, counterpoint. A black glove goes in search of a red glove.

Teo Hernández's unmistakable camera movements portray the Basilica of the Sacred Heart in Paris.

The film Graal goes (as well as all the films which precede it) toward an open and avowed paganism, in which pagan force and magic imbue all the...

Experimental short by Teo Hernández.

The desert, the sea, someone. I meet Michel Nedjar; together we went to the south of Morocco. There, a movie begins to take shape and develops as our...

The song composed by the author modulates the phases of the film and constitutes, in its entirety, the specific form of a call.

Hymn to nature, song to the cosmos, Mâyâ builds a world where the camera generates a new type of representation in which the depth of...

The first snow of the year...

Images of the filming process of Bernardo Montet on a beach.

Teo Hernández films some friends in a park under the Parisian summer heat.

The tetralogy pieces are dominated by the concept and presence of death, foreclosure, fetal vertigo. As such, CRISTAUX is a real descent into an...

Strolling through France (Roanne, Nice and Carcassonne) with some excursions abroad (Munich, Montreal, New York).

Outtakes from the movie